Physical Specifications
Dimensions (W x H x D mm): 151 x 91.5 x 31 mm
Weight: 360 g / 12.7 oz
Mount points: 1 x Anti rotation 1/4″ / 3/8 top and bottom
Environmental
Ambient operating temperature: Up to 40 Degrees Celsius
Construction and Control
Body: Aluminium with ABS plastic
Cooling: Actively controlled fan and Heat Sink
Tally Light: Rear and front
Multi-function button: Power / lock Screen
AtomXpansion slot: Yes
Power
Input voltage: 6.2V to 16.8V
Operating power: 5.8-7.2v
Compatible batteries: NPF L series
Built in battery: No
Battery Run time (Record): 5200mAh – up to 2hrs (monitor & record 4K 60p)
Continuous power: Via Optional AtomX SYNC Module
DC in connector: Via DC Jack on Battery eliminator
Dtap: Via Battery Eliminator and optional DTap to DC cable
Display
Touchscreen: SuperAtom IPS panel (capacitive touch)
Size: 5.2″
Resolution: 1920 x 1080
PPI: 427
Bit depth: 10Bit (8+2 FRC)
Backlight Type: Edge lit
Brightness (cdm2 / nits): 1000 +/- 10%
Aspect ratio: 16 : 9
De-interlace mode: I > P and PSF > P
Color Gamut: Rec.709
Calibration support: Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)
Color Pipeline
Gamma: Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Olympus OM Log, Lecia L Log
Gamut: Bt2020, DCI P3, PDCI p3 65 Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display: .Cube Format
3D LUT Down Stream: Loop out
3DLUT 50/50: Yes
Monitoring Modes: Native / HLG / PQ / 3D LUT
HDR output Conversion: Log / HDR to HLG / PQ / Dolby Vision
Video Input
HDMI: 1 x HDMI (2.0) 4k p60
HDMI RAW: Apples ProRes RAW up to 8k
SDI: Optional via AtomX SDI module
SDI RAW: Optional Activation Key required
Bit Depth: 8/10Bit Video / RAW up to 12Bit
Video Chroma Subsampling: 420 and 422
HDCP copy protection: Not supported
Metadata
HDMI: RAW – white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
SDI: Optional via AtomX SDI module
Video Output
HDMI: 1 x HDMI (2.0) 4k p60
SDI loop out: Optional Via AtomX SDI module
SDI Play out: Optional Via AtomX SDI module
Video Chroma Subsampling: 422
Bit Depth: 10Bit Video
Web Streaming
USB UVC: Optional Via Connect 4k
Video Signal Conversion
HDMI to SDI: Optional Via AtomX SDI module
SDI to HDMI: Optional Via AtomX SDI module
Audio In/Out
Audio Quality: 24/48kHz
Audio Codec: PCM
HDMI: 8ch 24Bit, input dependent
SDI: 12ch 24Bit, input dependent
Analogue Audio in: 3.5mm 2ch.
Analogue Audio Out : 3.5mm 2ch.
Headphone out: 3.5mm 2ch.
Timecode / Sync
Embedded: HDMI
Time of day: Yes, Time and Date
LTC: via 3.5mm audio Jack input (Requires post processing)
Wireless SYNC: Via Optional AtomX SYNC Module
Resolution and Frame Rates (Record, Monitor & Playback)
8k: RAW Only up to 30p via HDMI
6k: RAW Only up to 30p via HDMI
5k: RAW Only up to 30p via HDMI
4k DCI: 23.98/24/25/29.9/30/50/59.94/60p – HFR 100/120 via RAW over HDMI & SDI on selected cameras
4k UHD: 23.98/24/25/29.9/30/50/59.94/60p
2K DCI 2046 x 1080: Optional via AtomX SDI module
Anamorphic: 3.5k: RAW up to 60p (from supported cameras only)
FHD 1920 x 1080 Progressive: 23.98/24/25/29.9/30/50/59.94/60/100/120p
FHD 1920 x 1080 PsF: converted to P and looped out PsF
FHD 1920 x 1080 Interlaced: 50/59.94/60i
1280 x 720p: 50/59.94/60p
Recording CODEC
Apple ProRes RAW: ProRes RAW, HQ (Free activation key via visit my.Atomos.com)
Apple ProRes: LT, 422, 422HQ
Avid DNxHD: DNxHD 220x,220,145,36 (Free activation key via visit my.Atomos.com)
Avid DNxHR: LB, SQ, HQ, HQX. (Free activation key via visit my.Atomos.com)
H.265: LQ,MQ,HQ in 8/10Bit, 422 and 420 Free activation key via visit my.Atomos.com)
Playback
Playlist: Yes, Create customer play lists from full or sub clips
Loop: Yes, with user customisable in / out markers
Apple ProRes Raw: Yes, recorded clips
Apple ProRes: Yes, with Linear PCM audio
Avid DNx: Yes, with Linear PCM audio
H.265: Yes, recorded clips
Recording functions
Pre-roll record: Yes (HD 8s, 4K 2s) – Not available in RAW
Timelapse: Yes
Supported media
Master Caddy I: Not compatible
SSDmini: Native Size and Fit
CFast II: Via Supported cards via optional SSDmini CFAST II Adaptor
File Naming: Unit Name – Scene/Shot/Take
File System: ExFAT
On screen tools
Waveform: Yes, 3 size / Position
RGB parade: Yes, 3 size / Position
Vector scope: Yes, 2 size / Position
1 x Zoom: Yes. 1:1 Pixel mapping for 4k
2 x Zoom: Yes
Focus peaking: Colour selected / threshold setting / colour
False colour: Yes, with Scale
Zebra: Yes, Adjustable
Isolate color channel: Blue Only
Cine Frame Guides: 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides: 9:16, 1:1, 191:1, 4:5
Safe areas: Action and Graphic
Grid markers: 9 grid
Anamorphic desqueeze: 1.25x 1.33x , 1.5x ,1.8x ,2x
Display Flip: Vertical Only
Onboard Signal Processing
Pulldown Removal: 24/25/30pSF > 24/25/30p (2:2 pulldown)
4K UHD Downscale for HD: Loop out – 4K UHD to FHD
DCI Crop: Loop out – 17:9 to 16:9 Crop
Remote control
HDMI: Auto HDMI Trigger, Supported Protocols – Canon, Sony
SDI: SDI trigger camera selectable
Serial 2.5mm Jack: LANC control and calibration via optional USB to serial cable
Bluetooth LE: Via optional AtomX SYNC module
Wireless RF: Via optional AtomX SYNC module
External Device Control
Serial 2.5mm Jack: Camera control for supported cameras via Optional USB to Serial Cable
Bluetooth LE: Via optional AtomX SYNC module to compatible devices
Wireless RF: Via optional AtomX SYNC module to compatible devices
Supported Applications
XML: Cut tag EDL in FCPX XML
Apple ProRes RAW: Apple FCPX, Adobe Premier, After Effects, Avid Media Composer, GrassValley Edius, Assimilate Scratch, Baselight Film Light.
Video Codecs: All Applications with support for Apple ProRes and Avid DNX in .MOV wrapper
Bewertungen
Es gibt noch keine Bewertungen.